Despite her churning guts telling her that everything is wrong, she doesn’t want to disappoint River by missing yet another studio appointment, so she flees to Burntree almost as a respite from being at her house, the place where the alleged betrayal has occurred.
But it turns out that River is just as distracted, having received the news that his friend Styles has not been seen since the night before, not showing up to work or even returning home.
This sends Cara spiralling
with worry, her fear that she might somehow be responsible for what happened
worsening and now taking on the responsibility for Styles’ disappearance as
well. River appears to be rather concerned himself, so he cancels their session.
In Fault Lines, Cara’s island daydream scenario
returns from it’s hiatus for the first time since she and Griffin made the decision
to move to L.A. It picks up with Cara and Styles having been on the island for
months now (mirroring the months-long period since the last time she indulged
in this daydream). They’ve settled into a routine and have learned how to
survive at a basic level, but now the threat is about them being able to survive
and stay healthy in the long term. Holding onto hope of rescue (well, at least
Styles is), Cara begins to wonder what all of this means for their relationship
as friends, as partners in survival, or perhaps something more.
The switch to focus on rescue is of course another mirror to
what’s happening in reality. With Styles missing, he may actually be in danger
and in need of rescue for real. And while Cara wants him to be safe, she is
also concerned about the potential impact on their friendship and partnership
when he is found. If Griffin and Willow are having an affair, what does that
mean for Cara and Styles? Especially if he feels that Cara is in any way responsible for
their actions.
Later in the chapter, she finally faces Griffin, who knows
how Cara thinks and tries to assuage any guilt she may be feeling, blaming herself
for the actions of others. Ironically, the idea that she is not at fault for
what happened is more unsettling for her than if it was her fault, because it
means accepting that a) the world doesn’t revolve around her, b) Griffin is
actually at least partly responsible, and c) harboring secret romantic feelings
for Styles is something she is actually guilty of.
Griffin doesn’t go as far as to take responsibility himself,
though there is space to interpret him telling Cara it’s not her fault as him
hinting that he knows he is to blame.
Comforting dark thoughts
Cara’s mind goes to some pretty dark places in these
chapters. I’m not sure how common it is for other people with anxiety to go
into dark comfort scenarios when they are in a heightened state of fear or
worry, but it’s certainly how my mind works. Especially regarding uncertainty –
instead of hoping for the best, my mind tends to imagine the worst. These
thoughts often involve death, disease, catastrophic injury and physical pain as
metaphors for rejection and emotional pain.
Cara imagining herself as a ghost watching her own funeral
is a way of processing what she believes is the worst that can happen. It isn’t
suicidal ideation. It’s a fear and anxiety response, designed to walk down the
absolute worst scenario path in order to prepare for whatever actually happens.
Same with imagining the funerals of others, or imagining all the horrible
things that could be happening to Styles, wherever he has vanished to. Considering
the possibilities is a form of preparation for bad news.
When I do this myself, I always end up thinking of it as “hurting
my own feelings”. I think it’s basically a form of pre-emptive grieving. The
tears that often fall as a result of these types of scenarios are cathartic and
cleansing. And the hope is that when the bad news comes, it won’t feel as bad
as if you hoped for the best and were blindsided by the worst. Usually, it’s
never as bad as I imagined.

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