Sixty-Six: Coming November 2 to Amazon and Other Online Retailers

Sixty-Six: Coming November 2 to Amazon and Other Online Retailers
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Wednesday, September 16, 2026

Official Proof of Life

The proofs for Sixty-Six have arrived in both their matte and glossy glory, and after some deliberation and input from a few lovely people on Instagram, I think I’ve decided to go with the matte finish. This is exciting, of course, but to be honest, holding the proof copies in my hands today was a little bittersweet, thanks to some new perspective I'm working through.

The first official ARC review for Sixty-Six has been shared, as of a few days ago. I’ve been processing it internally, ruminating on what it means and how I move forward. 

Which means I’ve been in this weird sort of suspension since the review was posted, and I’m having trouble thinking about anything else. It’s getting in the way of my normal flow, so I think I need to put my thoughts down about it so I can move forward.

It is a critical review with a low rating. The weird thing is that I’m not, like, mad or devastated about it. I am having a bunch of different feelings, but none of them have left me hysterically weeping on a Victorian couch in the throes of despair, so that’s something.

First and foremost, I am grateful for this review. Someone out there took the time to read my book and provide their honest thoughts about it. It is a thoughtful review with many criticisms, but it is not cruel or devoid of positive notes. An honest, thoughtful review, regardless of how the book is rated, is exactly what I want.

It’s what I wanted 8 years ago when I first wrote it, and wasn’t able to get, because I didn’t know how to get it back then. I asked for honest feedback from people who didn’t know how to give it. That isn’t their fault. And now finally, after all this time, and after my efforts to take what I wrote in 2018 and polish it for publishing, I have exactly what I wanted, and I accept it, even if it’s not what I wanted to hear.

I don’t want to go into the specific details of the review itself. Even though I am not in a state of utter crisis about it, there are some things in it that hurt, and there are some things I don’t necessarily agree with. I can’t help but feel misunderstood, but that is not a new thing, and it’s not unique to this review.

Some of the points the reviewer makes are objectively valid, and they are things I didn’t see until they pointed them out. I feel stupid and embarrassed by those things. I wish I had been able to spot them myself, but I couldn’t. I said I wasn’t going to get into the specifics of the review, but I will mention one thing it called out – that the book would have benefited from an editor.

I’m not going to defend my decision to self-edit instead of seeking a professional editor. I have my reasons, but listing them is just going to sound like I’m making excuses. What’s kind of funny is that this book has essentially been written by two different people: me in 2018, and me in 2026. I am a better writer now than I was in 2018, but I was a good writer then, too.

2018 me had a different style than 2026 me, and today I have a different sensibility than I did back then. When I cracked the manuscript open again after 8 years, I saw a lot of things that I loved and thought that 2018 me did quite well. I also saw a lot of things that needed to be fixed, and so I went to work on fixing those things. I think I made a lot of improvements.

But there are things that 2018 me would probably have a massive fit about if she was still around to see what I’ve done with her book. If she could have checked my work, I think she probably would have spotted a lot of the same things that the reviewer did.

Like I said, this isn’t me defending my choices. I’m just saying that my 2026 patches are a different color from the overall 2018 palette, and I didn’t notice that they weren’t seamless. I was also blind to some of the loose threads that needed tightening, because at some point, I had become comfortable with them and didn’t see them as flaws. I may have even seen some of the ragged edges as features, like buying a pair of already-ripped or frayed jeans.

Now that starts to get into matters of taste, style or certain convention expectations and I don’t want to get into that. The review does make subjective notes as well, and the reviewer has just as much right to those as they do to the objective items. The point I want to make is that I am not interested in throwing shade or setting the record straight on my intentions or anything like that. No matter how painstaking the efforts of an author's intentions may be, they have no control over a reader's interpretation. That does not belong to me.

What I'm trying to get to is that this review is a gift. Yes, I actively sought reviews, but they are not owed. Reviews are ultimately for readers, and I have no intention of invading the reader space. But it is a public review, and I do have a right to read it and have feelings about it, and so this is me doing that in my own space. 

And now I have a choice to make. I can be upset about it and worry and get all worked up about publishing something that now feels shaky to me. I can ignore it, pretend I never read it, and just hope for the best going forward. Or I can use this opportunity to learn from it and hopefully become a better writer.

So that’s what I’ve decided to do. My planned release date of November 2 is about six weeks away. The ARC review period is ongoing until then, and hopefully other reviews will start coming in. I have no idea what to expect with those. Maybe they will be more forgiving, or maybe they will echo the same criticisms as this review. It’s out of my hands, but what is in my hands is the time and the ability to make whatever objectively valid changes I can before I officially publish it.

I can’t rewrite the whole book, nor do I want to. But I can make adjustments to it. I’m not going to win back the heart of a reader I’ve already lost, but it would be narcissistic of me to discount their honest, thoughtful criticisms. I think it would be a misuse of the next six weeks for me to not make constructive use of their insights. It isn’t about pandering to them or trying to achieve someone else’s perfect version of my book, it’s about me improving what I can in the time that I have and putting out something I’m even more proud of, and then doing better next time.

There is a part of me that wants to address the reviewer directly to say thank you, but I don’t want to intrude or cross any boundaries, so I’m not going to do that. But they have given me something that I needed. The fact that it wasn’t cheap validation and that instead of being wounded I’m walking it off is maybe evidence that I’ve done some growing and healing from this whole thing, finally.

What? I’m not crying, you’re crying.

(For the record, and for what it’s worth to those who may appreciate it, I pulled The Hanged Man card three times in the last few days. It represents suspension, hanging in the balance, sacrifice, or a change in perspective. I’m not saying tarot is real, but coincidence and synchronicity are, self-reflection heals, and I’ll take my signs and proof where I can get them 😊)

Thursday, September 10, 2026

Maladaptive: Did I Mess Up?

While Sixty-Six is in its ARC review period (3 sign ups via my Google form, and 3 readers on BookSirens! Is it weird that I'm so thrilled about this?) and I'm waiting for print proofs from KDP to finalize the cover, I'm back to thinking about Maladaptive again, because my brain just wants to land there while it's flitting around looking for a cozy place to settle.

One reason is because I'm still thinking about the possibility of writing a follow-up to it. I have a lot of ideas for where it could go, though I haven't had the proverbial lightbulb switch on with that YES moment. But knowing the way I work, it won't fully reveal itself to me until I actually begin writing it, so I'm trying not to dwell on that "lost" feeling. Getting stuck there is how I end up going back into creative hibernation for another several years, and let's be real, at this stage of my life, I don't have that kind of time to waste, LOL.

Another reason is because I'm in revision-mode on my novella, A Maladaptive Christmas Interlude. I'm on chapter 5, so halfway through (10 chapters, about 24K words total) and man I love it so much. It's SO canon, and I want to put it out in an official manner. It'll likely be a holday freebie or something that I give to anyone who wants it, but I may even add it to KDP as well.

I never really said much about it back when I was writing it last December. And I don't want to give away any spoilers, but the thing I probably love the most about it is the way it went all "Creepy Christmas" on me, because I LOVE a Hallowe'en/Christmas mashup (Nightmare Before Christmas, I'm pointing my gnarly witch finger in your direction!).

Not just the whole seasonal mashup idea though. The idea of Christmas actually being PART of spooky season itself. Ghastly, scary Christmas folk tales abound from so many parts of the world, and it's an aspect of the season that fascinates me to no end. I don't claim to be an expert on the subject and I don't want to write an essay about it, but I just love the way all the different Christian/Yule/Winter Solstice festival stories and even commercial traditions are woven together into what we celebrate as Christmas today (in North America at least).

I mean think about it... Dickens' A Christmas Carol is really all of these things in one perfect package. Commercialism, the spirit of good will towards others, friggin' ghosts, punishment for being naughty vs. reward for being good... it's all there, perfectly weaving all those themes together, and I think it's crazy how much we take that for granted, the way Dickens did that for us. Krampus is another one (there are many versions of this, but my favorite is the 2015 movie with Toni Collette and Adam Scott). 

And then there are the Mummers, the creepiest holiday tradition ever from Maritime Canada (my husband is a Newfoundlander, and I did not know about this until we met!) where people would dress up in rags and sheets and old clothes and go door to door singing and entertaining whomever might be willing to let them into their homes to guess their identity and receive drinks and snacks or a meal in return for their efforts. It's literally trick or treating at Christmas time, I mean how cool is that?

(It's not really a thing anymore because of crime, so in St. John's anyway it's been replaced with a Mummers' Festival which runs from the last week of November to the second week of December, ending with the Mummers' Parade).

What's funny is that I've had a number of cross-seasonal stories in my mind for quite some time, but never really focused on trying to write one, until I wrote A Maladaptive Christmas Interlude last year, which happened very organically without me even really trying to make it a creepy Christmas story, it just kind of went there on its own! 

Anyway, my point is that I maintain that Christmas is part of spooky season, not something that comes after it, and while most people don't think of it that way, I will always tip my hat and raise my glass to those types of crossover stories.

So yeah, because I've been thinking about Maladaptive again and considering what possibilities lie ahead for it, I've been thinking about an aspect of the story that I cut out before I published it - and that has to do with tracking the passage of time and seasons in the book. It was only until the final publishing revision that I decided to take that out.

For many versions of the manuscript, the time of year was something I had baked into it. Originally, the story began in September (Cara and Griffin's first visit to LA). And as the story unfolded, the seasons were part of the scenic backdrop. The fall color change of the leaves during the road trip was a visual symbol of the changes to their lives, with Cara remarking on the wistfulness of leaving that behind.

The mountain cottage retreat originally happened in November, with Cara learning that loons do in fact fly south for the winter just like other Canadian birds, and their haunting calls from the lake is a source of homesickness for her. That detail remains, but I removed the specific mention of the month, so the time of year is hinted at vaguely, rather than stated out right.

Now, with summer currently ending and autumn about to drop, those of us who relish this time of year are getting all fired up for it, and its infusing just about everything with, for lack of a better term, pumpkin spice. (For the record, I am neither for nor against pumpkin spice. It has its place. I do not want everything to smell or taste like pumpkin pie, but I do enjoy a slice at Thanksgiving. If you're someone who loves pumpkin spice everything, I'm happy for you, sincerely). 

The fall frenzy, of course, includes books. There is a serious market for cozy autumn and spooky season stories. I don't know why I would be surprised by that. But it got me wondering if I had made a mistake by removing the tracking of seasons and passage of time in Maladaptive. 

The way it was initially part of the story was an organic thing, not a conscious choice. I am someone who marks the passing of time and seasons, that's just what I do. And autumn just happens to be my favorite season, so it was a natural thing to make that part of the story.

But it became sort of a distraction I think, and a little bit cumbersome. The story unfolds over more than a year, not quite a year and a half. I didn't want to lock it down to that. The way Cara thinks and tells the story means that things may get convoluted and conflated, and forcing her to always put everything into the context of a season or time of year became too rigid and bogged down in that detail. And it's not really the main point of the story anyway, it's just... nice. 

And so, in service of the story, I removed all references to specific seasons, months, and timeframes, unless there was a specific reason to keep it in. It's not a calendar, it's Cara's memory. And her memory still includes the sensory details, like when it's hot out, or when the night has a chill in the air, or when it's freezing, or raining, or whatever. But what Cara and Griffin did for holidays or on their birthdays, that's not central to the story she's telling.

I think it was the right thing to do. I felt lighter after doing that, and I think the story is better because of it. And A Maladaptive Christmas Interlude exists. It tells the seasonal part of their story that was bogging the main novel down, so really, I only just kind of moved it to an adjacent story that is part of the overall canon.

But you know, now the cozy autumn season is falling upon us, and I guess there is a part of me that wants everyone to know that Maladaptive is, at its heart, a cozy autumn story, complete with scenic road trips, a proverbial cornucopia of gatherings and conversations around fire pits, roughing it in the wilderness, and a rustic cabin in the woods. My only regret is that I didn't specifically name a pumpkin spice flavored jellybean in a certain package of candy... but I think we can safely assume there was one in there ;)

Wednesday, September 2, 2026

Sixty-Six Stuff

Little by little, the pieces of Sixty-Six are falling into place.


Planned release date:
November 2, 2026

Amazon Kindle Pre-order: Live

Goodreads Listing: Processing

ARC Review Window: Happening Now (September 1 to October 13)

ARC Applications Open On:





And the lovely people at Indie Author Collective have featured it in today's batch of ARC requests, which is fun.


(I know, where is my personality today? Sorry... it's taking a nap.)

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